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2013 YiR: My 10 Favorite Comic Series

Posted in 2013 year in review, book review, comic books with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 22, 2014 by vagabondsaint

And now, my 10 favourite comic series of 2013, presented in no particular order (except #1):

#10. Batwoman (until #25)

Batwoman #17 cover by J.H. Williams III

I’ve already discussed how badly DC ruined Batwoman by losing the creative team of W. Haden Blackman and J.H. Williams III, so there’s no need to rehash that here. I will just say that, while I’m not trying to hate on the current creative team of Marc Andreyko and Trevor McCarthy, they’re just not as good as Blackman and Williams were.  Nowhere near it, and McCarthy’s attempts to give us a little Williams-esque work with flowing, irregular panels and unusual perspectives just makes me miss Williams more.  But the book was great before #25, so it’s on this list.

#9. Wonder Woman

Wonder Woman #20 cover by Cliff Chiang

Brian Azzarello is just not a superhero writer.  His work on the crime noir epic 100 Bullets was fantastic, of course, and his run on Hellblazer got me back into liking John Constantine (before DC ruined Constantine in the New 52), but his Batman and Superman stories were less brilliant (though the Batman stories are pretty good).  His dirty, gritty, morally-grey, doublespeak style just isn’t  suited to the brightly-colored, black-and-white morality of the spandex set, and that’s okay.

When it was announced that he was going to be writing Wonder Woman in the New 52, I was skeptical. Even with artist Cliff Chiang (whom I’ve loved since the Beware the Creeper mini-series – pick it up if you can find it), I didn’t think Azzarello could pull it off.  How could he? He’s just not a superhero guy!

Apparently Brian Azzarello knew that too, because Wonder Woman is not a superhero comic book. Yes, it stars Wonder Woman, of course, but if you’re expecting big fights against supervillains in colorful costumes and an arc of morality tales every 4 to 6 issues, you’re in for a delightful disappointment.

Instead, Azzarello made Wonder Woman into what basically amounts to a family squabble writ large – writ as large as possible, really, since the family involved is the pantheon of Greek Gods.  In its 30 issues so far, there hasn’t been a hint of anything like a supervillain appearing, just gods pissed off at each other over things that would land normal humans on a week-long episode of Jerry Springer.

And it works.

Kudos to Brian Azzarello and Cliff Chiang for making a book starring a superhero into a brilliant mythological journey, where the gods are every bit as petty, vain, short-sighted, conflict-laden, and selfish as the humans that are supposed to worship them.  I’ll be sad when their run ends this year.

#8. Superior Spider-Man

Superior Spider-Man #22 cover by Guiseppe Camuncoli

You should be reading this comic.  Why are you not reading this?  Hurry up before Peter Parker comes back!

Long story short: Otto Octavius, aka Doctor Octopus, swapped minds with Peter Parker, aka Spider-Man, and let his own body die with Parker still inside it.  Since then, Otto has been determined to be a better Spider-Man than Peter Parker ever was, and oh boy, has he done it! He’s much more creative with using his powers, he’s become proactive against villains like the Kingpin, and he;s basically been kicking ass.  Go read this comic before Peter Parker comes back in a couple months.  Otto’s adventures have been hilarious.

And speaking of hilarious comics. . .

#7. Superior Foes of Spider-Man

Superior Foes of Spider-Man #7 cover by In-hyuk Lee

Boomerang.  The Shocker.  Speed Demon. The new Beetle. Overdrive.  These five has-been H-list villains have united to form the new SINISTER SIX! (And yes, they know there are only five.)

Actually, they got together because Boomerang promised them an easy score: procuring the cybernetic, still-living head of former crime boss Silvermane, reportedly lost when his cyborg body was destroyed.  Of course, Boomerang lied and double-crossed them, but how and why he did so makes for a great, highly entertaining read.

Writer Nick Spencer (who you will see again on my list of least-favorite series of 2013) has made these characters totally believable.  They went from Spider-Man punchlines to lovable-loser-type punchlines in their own book. I can’t say much more without spoilers, but trust me, this series is worth the read!

#6 : Transformers: Robots In Disguise and Transformers: More Than Meets The Eye

Transformers: Robots In Disguise #18 cover by Atilio Rojo & Casey Coller

Yes, I’m lumping these two together because they’re closely related (events in one affect events in the other) and they end up virtually combining for the their big Dark Cybertron crossover at the end of the year.

Transformers: RiD chronicles the adventures of the Transformers on Cybertron.  The War is over, and the planet is now led by a coalition government consisting of Bumblebee for the Autobots, Starscream for the Decepticons, and Metalhawk for those who did not choose a side in the war.  Meanwhile, Transformers: MTMTE follows the adventures of Rodimus (once Rodimus Prime) as he leads a group of Autobots through space, in search of the legendary Knights of Cybertron.

Notice what’s missing? HUMANS!

There are NO HUMAN BEINGS in these comics! That’s why these are my favorite Transformers comic series ever! Without people to constantly save and/or menace, the Transformers themselves have become much more human and much, much more relateable. They have been since the beginning, and this year they continued the trend with fun, occasionally dark stories leading up to one of the most organic-feeling crossovers I’ve ever read.  It felt like it flowed naturally from the stories, like they’d planned the whole thing from the beginning. . .but nobody does that, so that can’t possibly be the case.  Anyway, good stuff for Transformers/giant robots/good comics fans!

#5. Afterlife with Archie

Afterlife With Archie #2 cover by Francesco Francavilla

 

Starting in October, this series just barely made it into the 2013 list. . .but 2013 was a year that saved the best for last (the #3 book on this list also started around the same time and only got 2 issues in before the end of the year)!

Possibly the most unexpected Archie comic since 1994’s The Punisher Meets ArchieAfterlife with Archie is the brainchild of writer Roberto Aguirre-Sacasa (who also adapted Stephen King’s The Stand for Marvel Comics) and artist Francesco Francavilla. In this series, the zombie apocalypse begins in Riverdale!

Without giving away too much, it goes like this: Reggie accidentally runs over and kills Jughead’s pet Hot Dog, then flees from the accident scene without telling anyone.  A grieving Jughead takes his dog to Sabrina (the teenage witch), who brings it back to life – but as a Pet Sematary-style creature that bits Jughead and. . .well, things go zombie from there pretty quick. And before you think I spoiled anything for you, let me tell you: that all happens in the first issue.  Things get considerably stranger from there!

One longtime character reveals their real sexual orientation, some siblings reveal their Lannister-like relationship, lots of familiar characters become zombies – and they’re just on issue 4!  It’s like Aguirre-Sacasa goes into writing every issue wondering how he can make it more of a mindf*** than the last one, and oh wow he succeeds every time!

If there is any must-read book on this list, I’m completely failing because they should ALL be must-reads.  But if you only choose one to just check out, make it this one.  It is a horror book, so I know it’s not for everyone, but if you’ve ever been an Archie fan, or thought Archie comics couldn’t be dark, moody, and exciting, read this book!

I should also note that Roberto Aguirre-Sacasa was named last month as Archie Comics’ first-ever Chief Creative Officer, and immediately tapped Lena Dunham (creator/writer of HBO’s series Girls) to write a miniseries for Archie Comics.  If he gets the whole company moving in the directions he wants, maybe next year they’ll be my Publisher of the Year, instead of just being 2013’s runner-up (that’ll be in a later post).

#4: Life with Archie

Life With Archie #27 "Grill of Thrones" variant cover by Mike Norton

This might be my favorite cover of the year. . .

I have never made a secret of my love for this book, and 2013 gave me no reasons to stop loving it.

If you’re not familiar with Life With Archie, I’ll give you the basics: every issue is split into two stories.  One story follows a future timeline in which Archie married Betty; the other follows a timeline in which Archie married Veronica. Hijinks and the best soap opera ever committed to the comics page ensue.

LWA already made headlines with the marriage of Kevin Keller to his boyfriend Clay Walker in #16 (which is going for about $35 on Ebay in excellent condition) and its willingness to address social issues in 2012. So what happened in 2013?

Well, in Archie Marries Veronica: Veronica and Archie have left Lodge Industries only to have their careers manipulated unknowingly by Lodge’s rival Fred Mirth, Kevin Keller ran for a US Senate seat with Veronica’s help, reality-show star Reggie gets talked into causing fights with his girlfriend Betty to increase ratings (nice commentary on “reality” TV there, writer Paul Kupperberg!), and Veronica gets framed for corruption!

In Archie Marries Betty: Betty’s successes at work make Archie jealous, Veronica helps Cheryl Blossom start a breast cancer foundation, Jughead has to deal with his sister Jellybean’s shady new boyfriend and Midge’s difficult pregnancy, Reggie’s dad is trying to recover from a heart attack, Reggie runs ragged trying to take his dad’s place at the Riverdale Gazette, and Veronica is running Kevin Keller’s Senate campaign, which Reggie is hesitant to endorse, and Mr. Weatherbee is trying to find new love after the death of Mrs. Grundy!

It’s still a fun, occasionally sad, book. . .but it will also be ending this year with #36, so once that happens, you’ve no excuse for not giving it a read!

#3. A Voice In The Dark

A Voice in the Dark #1 cover by Larime Taylor

 

 

A Voice in the Dark also started late in the year, but it jumped right out of the gate and onto this list in much the same way that Afterlife With Archie did.

Why?

First of all, bi-racial female protagonist. From Seattle.  So, right out of the box we’ve got a decidedly atypical protagonist.

Second, the protagonist is a murderer. I’m not spoiling anything here; she says it pretty quick in the first issue.

But instead of being about her killing more peoplethis story is about her struggling with dark urge to kill as she deals with the normal frustrations that all of us encounter – up to and including stupid people.  How would your daily interactions change if you knew you could kill someone and probably get away with it?

When our protagonist Zoey (extra points for not giving the bi-racial protagonist a stereotypical name) starts college in a small California town, she decides to start a college radio call-in show. Her format is that people can call in anonymously and discuss their darker, deepest, most hidden thoughts and desires. It goes horribly wrong with the very first call.

Also, this small California town has a serial killer of its own – so what’s going to happen when they meet?

A Voice in the Dark is a well-written and beautifully-illustrated book (also unusually-illustrated, but I’m not going to tell you how), and is pleasantly grounded in reality.  It intrigued me from the very first issue and has kept me there. . .so much so that I buy an extra copy of issues for a friend to read!

#2. Sex Criminals

COVER OF THE YEAR! Sex Criminals #1 cover by Chip Zdarsky and Matt Fraction

COVER OF THE YEAR! Note that this is the cover of the FOURTH printing of #1. A sixth and possibly final printing came out last month.

 

Yeah, I’m on the Sex Criminals bandwagon. I bought the first printing of the first issue, then bought the fourth printing because just look at that awesome cover.

Sex Criminals is about Suze, a woman who discovers that time stops when she has an orgasm, leaving only her unaffected.  When she meets a man with the same amazing ability, hilarity and hijinks ensue.

My favourite quotes from issue 1:

“So I did what any otherwise good, emotionally-frozen, role model-less girl would do the day after rubbing one out the first time.”

“come to our awesome PARTY where for 5 BUCKS you can DRINK while SAVING BOOKS from destruction at the hands of the S***HEAD BANK that foreclosed the library oops sorry I didn’t mean to write the word S***HEAD on a PUBLIC POSTER”

“This book is dedicated to the brave men and women who love 2 f***”

Yes, this IS a mature readers title. It’s a coming (ha!) of age story, it’s a crime saga, it’s a love story, it’s hilarious.  The best part of the book is when Young Suze is forced to go to the “Dirty Girls” at school for advice on sex.  What follows is a montage of (hopefully) made-up sexual positions with hilarious names like “twerging,” “brimping,” and “auto-erotic twerging.” No way in hell I’m showing the images here.  If Chip Zdarsky wants me to, he can draw them up and send them to me.

The second issue is where the book really takes off, with the first Sex Criminals letter column!  My favorite quotes from that:

“EGGS. EGGS IS MY PROBLEM.”

“HI DANIEL YOU SOUND SEXXXXY.”

“Thanks for writing and KEEP ON RUBBIN'”

Those were the safest things I could say without needing a ton of asterisks.

Anyway, go read Sex Criminals, if you’re mature enough, and can handle sex and crime and funny.

#1. Saga

Saga

 

Yep, another immensely popular comic book.  My shop-owning friend literally cannot keep copies of the Saga trades in his shop.  When the third trade came out last month, he ordered 35 copies and took barely a week to sell them all.  That only sounds low if you don’t live in Seattle, where there is a comic book shop every 3 miles. In a really saturated market, that’s a lot.

But Saga, unlike, say, Fifty Shades of S***ty Erotic Writing or Twilight, is actually good.  Brian K. Vaughan has crafted a well-written sci-fi story of forbidden, unlikely lovers on the run from both sides of an interplanetary war.

Wow, that was actually a really good summation.

Of course, Vaughan’s writing isn’t the only reason to read this book. Fiona Staples’ art is just so beautiful.  She captures expressions and body language perfectly.  Her characters are detailed and lush, even when you wish they weren’t (Chapter Seven), and her aliens are fascinating xenobiological forms.

Look, I could natter on and on and on about Saga (especially considering that my favorite comics moment of 2013 happens in it).

But really, I’d just rather you went out and bought the first trade and read it.  Seriously, this book has a legion of fans for one reason and one reason only: it’s a damn good book.

In fact, it’s my #1 favorite comic of 2013!

VS – 4.22.14

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My 10 Favourite Completed Series, 10-6

Posted in comic books with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 24, 2010 by vagabondsaint

So, you may be wondering to yourself right now Who is this Vagabond Saint guy?  What sort of comics does he like?  Why should I listen to his opinions?  Does he like the same stuff I do?  Why does his blog smell like bacon?

Well, I’m going to try to answer most of those questions (you’re on your own about the bacon) by telling you, Dear Reader(s), what comics I like, what stories and writers and artists I am into.  If these choices agree with yours, well, so much the better and we can continue on in harmony.  If not, well, you can complain and be largely ignored in the comments section!  Everybody wins!

To start it all off, let’s begin with my favourite completed series.  They’re all available in trade paperbacks or hardback editions, so you can read the whole story for yourselves, which is why I chose to do these separate from the ongoing series.  Top ten only, or else we’ll be here all day, and keep in mind that these are in no particular order (except number one, of course).

10.  Preacher (1995-2000, DC/Vertigo, 66 issues plus one-shots and a 4-issue miniseries, writer: Garth Ennis, artist: Steve Dillon)

Preacher: Gone To Texas

So, Garth, why don't you have the book start off in Hell? What? It starts in Texas? Close enough, then. Carry on.

Preacher is the simple story of Jesse Custer, one man on a quest to find God.  Well, one man with a horrifically abusive family and a criminal past.  And possessed by a being that gives him the power of the Word of God, meaning that whoever hears him must do as he says.  And being pursued by a secretive worldwide organization dedicated to bringing about Armageddon.  And also being chased by an invulnerable, indefatigable killing machine in a leather duster.  And he’s joined by his trigger-happy ex-girlfriend and an alcoholic Irish vampire.  And God, hiding somewhere on Earth after abandoning His creation, doesn’t want to be found.  Okay, maybe it’s not so simple.

This was my real introduction to the warped, twisted, and possibly illegal mind of Garth Ennis, who has since become one of my favourite writers (and the only one that I suspect of seriously hating superheroes).  In addition to Preacher, Ennis also wrote The Pro (ever wonder what happens when a street prostitute gets super-powers?  Read The Pro and wonder no more) and the absolute best Punisher books ever written.  Without Garth Ennis on Punisher, neither one of those movies would have been made, and that’s probably a strike against him.  Let me rephrase that:  without Garth Ennis revitalizing the character of the Punisher and gaining a large fan following, Marvel Comics would never have had the chance to screw said fans over with two crappy movies.  There.  That’s better.  Back to Preacher.

Preacher starts off being about the search to find God, but really delves deeply into themes of friendship, love, camaraderie, forgiveness, and most importantly, searching for one’s self.  It’s gross at times, and violent a good part of the time, but don’t let that stand in the way of a great story with few lagging periods.  It also contains the brilliant solution of how to hurt a Texan who can command people with every word he says:  use assassins who don’t speak English.  I do have to note that, by the latter half of the series, Jesse Custer rarely uses that ability; for a while, you might even forget that he has it. . .until the explosive end, of course.

Also, the first trade paperback (pictured above) has this awesome quote from Joe R. Lansdale in his introduction: “It’s scarier than a psychopathic greased gerbil with a miner’s helmet and a flashlight and your bare asshole in sight.”  That guy has a definite way with words.

9. U.S. (1997, DC/Vertigo, two issues, Prestige Format, writer: Steve Darnall, artist/painter: Alex muthafucking Ross, suckas, and don’t you fuckin’ forget it)

Alex Ross is probably the most famous comic book cover painter.  His clean, photorealistic style makes people like me (who dig photorealism) drool.  He doesn’t do comic interiors very often, though (the 192 pages, plus covers, of Kingdom Come took him two years to do), so when he does, it’s usually something to be savoured, like Marvels, Kingdom Come, the DC treasury edition stories, or even Justice (in which he painted over someone else’s pencils).  Most people, however, probably know him for this image:

". . .what? She was like this when I found her."

In U.S., he does the interior art, which is the first thing I loved about the story.  The second, though no less important, is the story itself.

Our protagonist in U.S. is a white-bearded homeless guy.  He is down-and-out, desperate, lost, confused, and seems to speak primarily in quotes from politicians and celebrities of the past.  (“Give us twenty-two minutes and we’ll give you the world!” he tells two orderlies that are throwing him out of a hospital.)  He hears voices in his head that also speak in quotes, and, as he admits, he can no longer distinguish between the past and the present, between reality and fantasy.  Sometimes he’s walking the streets of an unnamed American city, sometimes he’s somewhere else entirely, talking to a wife he can’t remember from over 200 years ago, watching a man in a convertible get shot, being taken to a lynching by a talking Negro lawn jockey, or conversing with sick and dying Union soldiers.

The real problem, however, is that his fantasies aren’t fantasies at all – they’re history.  American history.  He’s there when Kennedy is shot and killed.  He’s there to see the real horror and corkscrews of a lynching and the fallacy of “freedom” for African-Americans in the early 20th century.  He’s at Andersonville, a Civil War prison for Union soldiers where, pressed 1,500 people per acre, there was no medical aid, the food had maggots in it, and the only water came from a nearby creek, downstream of the Confederate soldiers who used it for bathing and as a latrine.  He’s there in the Dustbowl, there at Dearborn when police fired on laid-off autoworkers in 1932, there for Shay’s Rebellion.  He doesn’t know why he’s being shown all these horrible things; the lawn jockey tells him it’s “because you need to know, that’s why!  Because you have a tendency to forget these things.”

His name is Sam. . .but is he still the Uncle?

Steve Darnall wrote what is, in my reading, one of the hardest, most unforgiving looks at American history in comic form – nothing about this is glorious, nothing sugarcoated or gussied up to be all pretty.  It’s harsh, it hurts, and, if you are like me, it’ll make you look a little closer at America and where it’s been over the years.  Few other graphic novels have had the impact on me that this book has; it influenced my writing in a major way.

Sadly, the trade paperback of U.S. is out of print.  Luckily, DC published an hardcover deluxe edition of it in October.  If you can’t find a copy of the trade paperback online somewhere or in a shop (or if you don’t get really lucky and find the original issues in a comic shop’s dollar bin after you lent your copies to someone who never fucking returned them), then the  deluxe edition is an option, and one well worth the $20.  (Amazon has it cheaper than that.)

P.S.  U.S. is so good that I stopped writing this list for a bit to go read it again.  Just saying.

8. World War Hulk (2007, Marvel, 5 issues plus too many tie-ins to be named, main series writer: Greg Pak, main series artist: John Romita Jr.)

While most of the books on this list are thought-provoking and reflective works on themese such as friendship, loyalty, religion, history, and journalism (next entry), sometimes I’m just in the mood for a good old-fashioned mindless slugfest.  You must sometimes have those “mindless entertainment” moods too, otherwise Michael Bay would be homeless, half of Hollywood would be unemployed, the Twilight books wouldn’t have become bestsellers, and the romance novel industry wouldn’t dominate sales charts.

So when I’m in the mood for a good punch-up, where do I go?

Straight to World War Hulk, do not stop, do not pass go!

Here’s the set -up:  tired of having to clean up after the Hulk’s rampages, the leading heroes of the Marvel Universe, Iron Man, Reed Richards, Black Bolt, and Dr. Strange (Professor Xavier was busy that day, but we’ll get to that shortly) decide to send the Hulk into outer space, to an uninhabited planet where he can smash to his heart’s content and be left alone.  However, the space ship that they tricked him onto went into a wormhole (whoops) and ended up on an inhabited planet (whoops) where a cruel emperor maintained his rule through slavery and gladatorial combat (double whoops).  Long story spoiled and shortened, the Hulk fights in the arena, beats the holy hell out of anyone that crosses him, makes some friends, starts a revolution, takes over the planet, marries and impregnates the now-deceased emperor’s bodyguard (it’s not like she liked the emperor all that much anyway), and appears to be heading straight towards a happy ending. . .when the ship he arrived in, brought into the capital as part of a commemorative display, blows up and wipes out everybody but the Hulk and a few of his friends (super-big-fucking whoops).

I’m sure we are all familiar with the notion that “the madder Hulk gets, the stronger Hulk is,” right?  Well, this is the Hulk mad beyond mad; this is the Hulk super-pissed, on the highest levels of pisstivity.  This is like Reed Richards and Iron Man and the others peed in his cornflakes, screwed his wife, his daughter, and his dog as a prelude to shoving his toothbrush up their arses and gangbanging his mother. . .then making billboards, Facebook accounts, and TV commercials with pictures of all of it.

hulk

Goddamn, that green motherfucker is pissed.

In World War Hulk, Hulk and his new friends borrow a spaceship from some of his other alien pals and head to Earth, determined to make the people who sent him away pay.  What follows is one of my absolute favourite slugfests of all time, as the Hulk stops by the moon to beat the tar out of Mr. “my merest whisper can level mountains” Black Bolt, previously regarded as one of the most powerful douchebags around.  After that, and Hulk’s order to the people of New York (because everything happens in New York in the Marvel Universe) to bring him the ones who sent him away or get smashed, Iron Man straps on his special “Hulkbuster” armor, designed just for such an occasion, and gets his metal-clad ass beat.  Reed Richards and the other clowns in the Fantastic Four get it next, even though Reed stretched himself as thin as possible, not realizing that this was a Hulk who could punch microbes into submission.  Dr. Strange gets his hands broken and his ass handed to him after using mystical powers to punch a hole through the Hulk.  Everybody else that shows up to challenge the Hulk also takes a beating, including the Avengers, Ghost Rider, the US Army,

In the final issue, the Hulk faces the most powerful being in the Marvel Universe, the Sentry.  It’s an epic battle, to say the least:  Hulk is the angriest he’s ever been and the Sentry can finally cut loose and unleash his “power of a million exploding suns” (wouldn’t that pretty much wipe out Earth?).  They knock each other into space, they level entire city blocks from the shockwaves of their punches, and in the end they pound each other so hard that their powers run out and we’re left with Bruce Banner and Robert Reynolds, the Sentry’s alter ego, punching each other in the face until one of them falls.  It’s a mindless slugfest without peer.

As for the tie-ins, the best of those was World War Hulk: X-Men, in which the Hulk takes a side trip to upstate New York to ask Professor Xavier how he would have voted if he’d been present when the decision was made to send him away.  What follows is the Hulk, alone, taking on every still-living member of the X-Men, Excalibur, X-Factor, the X-Babies, the XFL, zombie Malcolm X, and anybody else with an X in front of or behind their name – and smashing them all, including Wolverine, and you know I’m always down to see Wolverine take one.  (The invulnerable girl, M, gets kicked out of the state and told to “go be invulnerable in Jersey.”  To the solid-stone guy who can control his limbs even if they are detached:  “Can you still control them if they’re in Connecticut?” Hint: no.)  More face-breakin’ goodness from the Hulk.

7.  Transmetropolitan (1997-2002, DC/Helix/Vertigo, 60 issues plus 3 or 4 one-shots, writer: Warren Ellis, artist: Darick Robertson)

My longtime follower knows I loves me some Transmet.  The hilarious, often drug-fueled, truth-seeking adventures of Spider Jerusalem are just irresistible and should be required reading for anyone that cares about journalism, politics, or excellent stories.

When the story starts, Spider has been retired for five years and lives alone and hairy in a mountain cabin.  Reminded that he still owes his last publisher two books, he’s forced to come down from the mountain and re-immerse himself in The City, in journalism and politics, the very things that drove him out of The City five years ago.

Transmet is one of those works about which I can’t say enough and yet can’t say much without giving it all away.  While I’ve given a lot of spoilers out so far, the twists and turns of Transmet definitely need to be experienced – so I’ll just implore you go to get it and dive into this wonderfully trippy sci-fi world that Ellis and Robertson created.

P.S.  If, like me, you can’t get enough of Transmet’s bizarre-yet-somehow-vaguely-plausible sci-fi world, try to track down City of Silence, by Ellis with art by Gary Erskine, published by Image.  It predates Transmet (though wasn’t published until after Transmet started) and takes place in a world that is, if not the exact same world, certainly eerily similar.

6. Kingdom Come (1996, DC, 4 Prestige Format issues, writer: Mark Waid, painter/artist: Alex “Badass with a Brush” Ross)

If I could make only one comic book into a movie, this would be it.

I’ll let Wikipedia handle a quick summation:

Set some twenty years into the future of the then-current DC Universe, it deals with a growing conflict between “traditional” superheroes, such as Superman, Wonder Woman, and the Justice League, and a growing population of largely amoral and dangerously irresponsible new vigilantes. Between these two groups is Batman and his assembled team, who attempt to contain the escalating disaster, foil the machinations of Lex Luthor, and prevent a world-ending superhuman war.  The series draws heavily on Biblical apocalyptic imagery, especially that of the Book of Revelation.

They don’t manage to prevent the war, by the way.

It’s a great book, and it will really affect the way you see superheroes and their moral codes, especially the one against killing; in fact, it is the Metropolis public’s endorsement of the hero that killed the Joker (after a murder spree at the Daily Planet that also killed Lois Lane) and his acquittal at trial for the crime that drives Superman into retirement, ten years before Kingdom Come starts.  And that, of course, leads other heroes to quit and fosters the “amoral and dangerously irresponsible” semi-heroes that replace them.

The other thing I like about Kingdom Come is that it more clearly delineates the differences between DC’s Big Three – Batman, Superman, and Wonder Woman – along ideological lines.  They’re all heroes, they all want to help and protect people, but how they do it is the biggest difference between them, and Waid does more exploration of that difference than I’ve ever seen, before or since.  To me, this is Waid’s Watchmen; this is his unsurpassable superhero magnum opus.

So that’s my first five – next we get into the really good shit!

VS – 1.23.10